The basic relationship
- 16′: one octave below written pitch.
- 8′: unison, at written pitch.
- 4′: one octave above written pitch.
- 2′: two octaves above written pitch.
Why the number is not the exact length of every pipe
Footage is a stop and pitch classification. Constructions such as stopped pipes change the actual physical length, and pipes naturally become shorter for higher notes within the same rank. “8′” therefore does not mean every pipe is literally eight feet long.
What happens when you combine pitch levels
Combining 8′ with 4′ and 2′ adds octave-related pitches above the played note. The result becomes richer in upper components and often clearer. The balance depends on tone family, scaling, voicing, and room acoustics.
Not every footage number is a pure octave
Mutation stops such as 2 2/3′ or 1 3/5′ create other partial relationships and should not be treated as “just another octave.” Mixtures contain multiple ranks sounding from a single key.
Pedal and manual practice
A 16′ foundation is common in the pedal, while 8′ is often a natural manual foundation. These are common practices, not rigid rules. Registration always depends on the music, organ, and room.
A quick listening test
Pull an 8′, 4′, and 2′ stop of the same or similar family one at a time and play the same key. The octave relationship becomes immediately audible. Then combine 8′ + 4′ and finally 8′ + 4′ + 2′ to hear the layers together.
If you want to combine pitch levels in a concrete registration, Registration Assistant is the relevant next step.
Related knowledge
Sources & review notes
- Organists Online — Organist's Toolkit: Pitch Levels
- Yamaha — Pipe Organ: The Role of Stops
- BYU OrganTutor — Chorus Registration